The biggest own goal in history

Will this country die from obstinacy? Why won’t the patients take their medicine?

Increased support among European nations including the UK

for EU following Brexit

Simpkin at the Tailor’s Bedside c.1902 Helen Beatrix Potter 1866-1943 Presented by Capt. K.W.G. Duke RN 1946 Photo © Tate

No-one reading this who holds different opinions should feel offended. I intend no disrespect, but I must speak, and I’ve been given this insidious tool to amplify my thoughts. I’d be saying the same things aloud in solitary confinement.

“The most courageous act is still to think for yourself. Aloud.” Coco Chanel.

I’m not addressing individual members of the audience. This is a platform, a virtual theatre. I’m not attacking you, I don’t dislike you, I’m no0 years ago, and published pamphlets or books anonymously (by a Lady), and if you didn’t like them you could have burnt them after reading or used them in the privy.

“This is slavery, not to speak one’s thought.” Euripides, The Phoenician Women

I know I’m not going to change minds or influence people. I rant on about the same thing in messages in bottles, repeating myself, adding a fresh quote or two after a quick online search, skimming the surface of thought.

And it is a tirade. I know that. Give me a break on this weaselly platform and admit this is not blogging, it’s polemic. I’m impotent but loud. You’re afraid to let me in, because I’d overturn your tables and scream your house down.

t talking to you personally, I can’t even see you.

I’m not part of your community, I don’t want your Likes or your Follows, I’m not even me, I’m inhabiting a role of a better me. I’d prefer to have lived 20

I’m standing on the wall, berating destiny. Call me Cassandra, if you like. You may think I’m mad and ignore me – I can see you are, by the paltry number of Likes – but you need me as a particle of collective consciousness in the grand muddle of truth.

Cassandra, Cassandra,
You’re fated to madness, it’s out of your hands
Destined to say what no one wants to know

‘Cassandra’, Famiglia album, written by Sophie Michelle Ellis-Bextor, Ed Harcourt, sung by Sophie Ellis Bextor

Her  again – the unknown woman lamenting by a burning city

J’accuse: the right-wing Brexit conspiracy, in which too many of us are complicit, is an act of vandalism, trashing our country’s history and laying waste to its future

Wake up, Britons! Avert this catastrophe! Don’t you hear Drake’s drum beating again, alerting him to save us from national danger?

This time, the threat to our country, this precious stone set in the silver sea…this realm, this England, is not from a foreign Armada, it’s from ourselves.

The language of English-speaking myths had charm, once, before poetic inspiration for doing the right thing deviated into  facile slogans for knee-jerk nationalism.

The beauty of metaphor, the subtlety of irony, has been defaced. “My soul, there is a country” seen in a vision of Peace by Henry Vaughan, the “green and pleasant land” of Blake’s Jerusalem, were spiritual and political ideals, not nostalgia for an England that never was. Patriotism was never enough.

We’ve lost the blessed plot. We’re no longer the envy of less happy lands; we’re the butt of the rest of the world’s bemusement and pity as England scores the biggest own goal in history.

Brexit is the biggest lie perpetrated by small political and capitalist elites on the English public since the First World War.

And this same progeny of evils comes
From our debate, from our dissension

Brexit is the poison that will taint a nation, a fungus that grew in the ideological rifts of the Conservative party and then infected purer minds.

Drink the medicine.

Changing your minds is not a weakness. The greatest courage is in turning to face reality.

Cassandra, Cassandra
If I could just sit with you
We two could conspire and
We’d make them listen
You only tell the truth.

Catastrophe

Now in this island of Atlantis there was a great and wonderful empire which had rule over the whole island and several others, and over parts of the continent…..Plato

With Britain as the new Atlantis, contriving its own liquidation through the hubris of Brexit and Conservative Government, where can a girl go in pursuit of freedom and happiness?

Our European neighbours who we have so rudely shunned are already showing us what we will be missing in their civilized world.

Spain has given vindication to anyone who’s been harassed by manspreading on a train or a bus, or in a theatre or cinema. It’s the beginning of reclaiming personal space, the rebirth of the rights of woman and man, the recognition that arseholes can’t have it all their own way anymore.

It’s the only news to have cheered me up on a scary Election Day, tired out by the cat that’s not mine but won’t leave my house and keeps me awake all night.

In one leap she burst through the barely open bedroom window and the rolled down blind, directly on to the landing pad of our bed. We could only see her outline in the dark, no more than a sinuous body and bushy tail, and from our experience of another cat trying to break in a week ago, we knew that it’s impossible to verify feline identification without electric light.

A nano-moment after our besotted “hello, darling” cooings, my husband said, “Are you a fox?” Knowing by now that the worst usually happens, I screamed and hid under the bedclothes.

At 7am, after the cat had eaten breakfast and gone out again, there was another kerfuffle as something struggled through the letterbox. Was it her? we wondered – but, no, it was the sound of the poor Lib Dems leafleting at dawn.

I voted for them, nevertheless – because they are the only party to have been consistent over Europe. I don’t understand why Labour and the Liberal Democrats are being so snotty to the rational, valiant Greens about a progressive alliance.

I don’t understand anything, I haven’t slept for weeks, and while I stutter and splutter over the keyboard, the beautiful, free-loading, conscience-free cat burglar is sleeping peacefully in her bed behind the sofa.

Conquest Cat Portrait by Martin Hübscher Photography

I did one of those voter-party match-making tests yesterday and the big shock for me was that my views are closer to UKIP than the modern Tory party, whose social policies really must have strayed right of Attila the Hun.

Wake up, Britons! Avert this catastrophe! Don’t you hear Drake’s drum? There’s time to finish the game and beat the Spaniards too – reputed to have been said while he played bowls at Plymouth Hoe, it turns out he never said it, and it’s a soundbite invented over a century later. Our national myths had charm, once, before poetic inspiration for doing the right thing deviated into knee-jerk nationalistic slogans.

Now, the threat to the precious stone set in a silver sea is not from a foreign Armada, it’s from ourselves.

We’ve lost the blessed plot. We’re no longer the envy of less happy lands; we’re the butt of the rest of the world’s bemusement and pity.

And this same progeny of evils comes
From our debate, from our dissension

Brexit is the poison that will taint a nation, a fungus that grew in the ideological rifts of the Conservative party and infected purer minds.

J’accuse: the right-wing Brexit conspiracy, in which the public has colluded, is an act of vandalism, defacing our country’s history and laying waste to its future.

Nothing that was true is true any more, nothing makes sense, not in my catatonic state. One thing is certain: all cats are grey in the dark. The inconstant cat’s not ours. She must have at least one other home. The stupid human beings in their different dwellings think she’s dependent on them alone, and she’s playing all of us.

Sounding like a Millwall fan chanting “Noone likes us, we don’t care”, I don’t like blogging, I don’t like Brexit, I don’t care if you don’t Like me, and all it takes to go to hell nowadays is pressing Publish, or drawing X on a ballot paper.

…..and the island of Atlantis …. disappeared in the depths of the sea. Plato

The Denialists

For once – I hope it’s only once –  I’m going to let two rich, middle-aged men speak for me.

They didn’t even remember to invite me to their party, but I, like them, am an angry denialist, rejecting this country’s fatalistic decline.

Before you generously ‘Like’ this post, you should know that I don’t respect the vote of anyone who voted Leave. When I try to, I’m lying to myself, and I won’t do that to you.

I think Leaving is deluded. I think the EU Referendum trivialized democracy and has betrayed our country’s past and future. I don’t want to “move on” into complicity. I prefer to stand ranting on the spot.

I know blogging about Brexit is silly and futile, but blogging is nothing if not a vent for denial and frustration, an illusion of empowerment, an undignified scramble for Likes and Followers similar to that of politicians and demagogues as they harry the country eating babies and kissing chips. [sic]

It’s my scream in the dark and if the noise disturbs you, I’m not sorry.

Jan Swart van Groningen, Woman Lamenting by a Burning City 1550-55
Pen in black, brush in brown,
Rijksmuseum, Amsterdam. Image: WGA

Extract from The Guardian, 12 May 2017.
[Ian] McEwan said: “I belong to the smallest, saddest, most pessimist faction: I am a denialist. Almost a year on, I am still shaking my head in disbelief. I know it’s not helpful, but I don’t accept this near mystical, emotionally-charged decision. How can it be that in a one-off vote, a third of the electorate have determined the fate of the nation for the next half-century?”

“The musician and activist Bob Geldof said: “I loved [McEwan’s] rejectionism. Anger is a great animus. I heard too much reasoned debate this morning. I resent those who voted leave. There is too much hubris that infects the political class. Fuck them.”

Does Geldof make sense, rejecting reasoned debate? Not much. I thought it used to be Leavers who didn’t have reasoned arguments, only sentiment and gut feelings, but now it seems everyone is mad in England, just as the gravedigger told Hamlet they were.

HAMLET

Ay, marry, why was he sent into England?

GRAVEDIGGER
Why, because he was mad. He shall recover his wits there, or, if he do not, it’s no great matter there.

HAMLET

Why?

GRAVEDIGGER
‘Twill not be seen in him there. There the men are as mad as he.

Lady Emma Hamilton as Cassandra.
Oil painting by George Romney © National Maritime Museum.

Emma Hamilton, painted by Romney at the height of her beauty and celebrity, long before she became Nelson’s blowsy, beloved trophy and resented by the ungrateful nation to whom he bequeathed her, in the character of Cassandra, the prophetess no-one believed.

“People are frightened of being associated with me in any way, shape or form.”
Gina Miller
interviewed by The Guardian, 13 May, 2017

When children don’t want to live any more

‘…it was in his nature to do it…it is the beginning of the coming universal wish not to live’
Thomas Hardy, Jude the Obscure, 1895

It is the most infamously morbid passage in English literature. It is more shocking than the infanticides of medieval history or Jacobean tragedies, worse than the murders of the Little Princes in the Tower, Macduff’s children, or Tamora being fed her own sons by Titus.

Jude’s eldest son, nicknamed Little Father Time because he has an old soul in his tiny body, overhears his father and step-mother lamenting they cannot afford to feed so many children, and then, being precociously intelligent and logical, kills his infant siblings and himself in the belief he is helping his parents.

Hardy was congenitally cruel to his characters when he finished his sport with them – his betrayal of Tess, just as she’s being executed, by throwing her younger sister at Angel Clare fulfills his private misogynistic fantasies rather than any loftier authorial purpose.

Jude’s little boy is a fatalistic novelist’s symbol of society’s moral decay, he lives and dies as a plot device, it is hard to believe anyone so frail themselves would have the strength to hang a baby, but there is something uncomfortably plausible, even inevitable, about Little Father Time’s character. He is clearly not a criminal, not a misfit. The wise child is the next stage in human evolution: the executor and inheritor of our will, even if we’re too cowardly to sign it.

There is nothing more terrible under the sun than the death of a child. The death of a child by his or her own hand is the most terrible of all,  and it implicates all of us, not as individuals, not when even the kindest, most loving of parents is unable to save their darlings from reality, but collectively, as a species of social animals, unable to make our environment safe for our young.

Painting, 1592, of the legend of the Pied Piper copied from the glass window of the Market Church in Hameln, Germany (c.1300-1633). Image: Wikipedia

We are hateful, and don’t be resigned, not here, anyway. Face up to it, and for humanity’s sake don’t click Like. Not on this blog. It’s not a “popular” blog”. It’s my blog and I’ll cry if I want to.

Don’t like, don’t be resigned – change. Change what is happening in the world. What is popular is seldom right. What we enjoy eating most is usually not good for us.

Even fastidious cats don’t know what’s good for them to eat, only what tastes nice. Maybe an innate fatty, sugary death-wish will kill us all before the bombs do. About a third of the children you see in over-developed western nations are too fat; elsewhere in the world they are starving to death; there are others butchered by perverse strangers, or their own feral parents, or even each other; and now there are a few, discomfiting ghostly presences on the edge of liberal consciences, lingering in suicidal despair because of war and exile, because of the society we have colluded in.

Henry Wallis The Death of Chatterton 1856 © Tate. Image: Wikipedia.
“The marvellous boy” who committed suicide in 1770, aged seventeen, became a symbol to the Romantics of resistance to social injustice and cultural repression, of the battle of the authentic self
against modern society’s crass oppression.

We can’t blame the food: it’s us, it’s what we’re made of, our rottenness, poisoning the children. Thousands of years ago, societies sacrificed children for the common good. Now there are children doing the dirty work for us.

Refugee children in Sweden, one of the few countries in the world where asylum seekers are well-treated, have been exhibiting symptoms of a death-wish when their families are threatened with deportation. They dwindle into a  semi-comotose state, refusing to eat or drink, confined to wheelchairs and have tubes stuck in their mouths. This has been called uppgivenhetssyndrom, “giving up on life syndrome”.

It has been identified as resignation, but in adult refugees similar behaviour might be called hunger-strike, passive protest or martyrdom.

The children were lied to when they were brought into the world. They see for themselves that living without hope is not worth the cost of existence. They believe they are burdens on their parents.

Through their death-wish, the children might be trying to help us.

Give them back their future

If you were young, how would you be feeling about your future, decided by your elders in a badly informed opinion poll last year?

Augustus Leopold Egg Past and Present, No 2 1858. Image: Tate

Two orphaned sisters are reduced to poverty and despair because of the actions of their parents. The elder girl is now responsible for both their fates, and neither she nor we see any hope for her as she looks yearningly at the moon.

On Saturday’s Unite For Europe march, the intelligence and passion of three speakers (Ismaeel Yaqoob, Elin Smith, Felix Milbank) representing Students for EU moved the crowd in Parliament Square and along Whitehall as in turn they pleaded eloquently for isolationist, zenophobic Brexit to be reversed so they can have their futures back.

The New Cosette, marching to Unite for Europe on 25 March, 2017 © Martin Hübscher

In 1858, Egg told another tale of an older generation’s betrayal of the young. A whole family, father, mother and two children, are victims of unfair, unnatural social rules designed by patriarchy to benefit itself.

The air in my country

“The air in my country is very foul”
Ian McEwan, at a press conference in Barcelona, March, 2017

Pieter Breughel the Elder, The Fall of the Rebel Angels 1562
Oil on oak, Musées Royaux des Beaux-Arts, Brussels. Image: WGA

“Now is not the time to obstruct the will of the people” Theresa May in the House of Commons, 2017.

“Terror is nothing other than justice, prompt, severe, inflexible; it is therefore an emanation of virtue; it is not so much a special principle as it is a consequence of the general principle of democracy applied to our country’s most urgent needs.” Robespierre, in a speech to the National Convention, 1794.

The embodiment of the people ‘s will, and the exponent of State terrorism: Maximilien Robespierre, smiling his sweet megalomaniac’s smile, before the Revolution.
Maximilien Robespierre, oil on canvas by Pierre-Roch Vigneron, 1786; in the Museum of French History, Palace of Versailles. Image: Britannica.com

We are being bullied into acquiescence with a disastrous rupture with Europe. Our economy and civilization are being degraded, people we love might be torn from us, and we are told to be silent.

Brexit is being imposed upon us in a reign of Terror, in which dissent is suppressed and the rule of law threatened.

“Any institution which does not suppose the people good, and the magistrate corruptible, is evil.” Robespierre

“Enemies of the people” Daily Mail denouncing the judges of the High Court who upheld Gina Miller’s case for parliamentary sovereignty.

Our centuries’ old representative parliamentary democracy is broken, smashed under the weight of public opinion polls and political opportunism.

This is not democracy; this is authoritarianism.

If you don’t like Brexit, and you love your country, don’t shut up.  Never stop protesting.

“It is the right of those of us who voted to remain to continue to speak for what we believe is in our country’s best interest and not allow ourselves to be cowed into silence.” Ian McEwan, March, 2017

Detail from The Rape of Europa, bronze by Il Riccio (Andreo Briasco), 1520.
Szépmûvészeti Múzeum, Budapest. Image: WGA

DON’T LEAVE, TIFFANY

DOING THE MACARENA TO CATASTROPHE

IF ONLY IT WAS A BAD DREAM

ALFRED’S DOOMS

48-52

Living under Democracy in USA and UK, 2016

Two Chained Monkeys by Pieter Brueghel the Elder, 1562.
Oil on oak panel, Staatliche Museen, Berlin. Image: WGA