Noir

“FOR MY PART I KNOW NOTHING WITH ANY CERTAINTY BUT THE SIGHT OF THE STARS MAKES ME DREAM” (Vincent van Gogh)

Pippa RathborneWoman reading Vickie Lester’s novel “It’s In His Kiss”  at night. Photo © Martin Hübscher

LISTEN TO THE FIRST CHAPTER OF It’s In His Kiss
on Vickie Lester’s brilliant blog
Beguiling Hollywood

on which each apparently effortless post strikes deep behind the razzle-dazzle to give insight into the design and inspiration, humour and human cost that go into creating the glamour of classic film-making.

All these qualities are evident in Vickie Lester’s fiction.

It is easy to dream when we look at a starlit sky, more difficult to represent it, even harder to understand how it was made.

“IT SHOULD BE CLEAR THAT PUTTING LITTLE WHITE DOTS
ON A BLUE-BLACK SURFACE IS NOT ENOUGH””
(Vincent van Gogh)

The most comprehensive and authoritative site I know about dramatic and comedic arts in all media, from historic to present times, is Sarah Vernon’s Rogues and Vagabonds, rich in articles and illustrations, edited by someone who understands theatre through and through.

Another recommended site dedicated to classic movies, combining charm with informed criticism, is Silver Screenings.

For down-to-earth reviews of popular films, I enjoy the wisdom of Pete Johnson (who is wise about everything) and Vinnieh.

Calico

Please don’t ask me
“How do you feel?”
In the garden of how I feel
nothing grows
but tears and sighs and bitter aloes.
I cannot speak
my sorrow:
it swells inside me, fungating tumour,
choking words and ulcerating thoughts.

In the garden
of how I feel,
there is no light; sunken corner
of mind’s eye,
knotted stems writhe and mould; torn out of earth,
the mandrakes scream;
ivy leaves
rustle angrily as rats tunnel through,
dragging tails and leaving stench of death

in her garden
where lavender,
lily and roses used to grow.
Violence
of absence displaces memory.
Past and present,
love severed;
nothing looks nor feels the same to me
that once was seen and felt by her, too.

Please don’t tell me,
“you must move on”-
fresh amputee crawling towards
a closed door,
my only way out through catacombs.
Resurrection:
replanting
the wild and tender flowers that she loved,
colours breaking heart of stone and clay,

ancient arts of sweet disorder,
patterns swaying with summer stems
Make-believe
like her the most while having little,
her mystery
calico –
look – she’s climbed to the highest branch again –
she stands, laughing in the dappled light.

Written after seeing a photograph of a woman in a garden