Battle and Booty

Unknown Woman with Spear by Antoine Trouvain, French engraving late 17th Century
© Victoria and Albert Museum, London.

 

Dagger of Henry IV of France c. 1599 on permanent display at The Wallace Collection and one of the ancient global artifacts displayed in Sir Richard Wallace: The Collector, gleaming in an atmospheric new exhibition space which is like a sacred temple of riches, just off tacky Oxford Street. Entry is free, because Sir Richard wasn’t just a rich collector in the Imperial British tradition, or schmoozing art dealer eyeing his chance, he was a cosmopolitan Europhile philanthropist, whose legacy was bequeathed to the nation by his French wife. Photo © Martin Hübscher Photography

 

Running the Gauntlet of the Arts London, 2018

Gilded Dramas

Functional objects, vessels for light and fragrance, tables, clocks and other household accessories for the rich and powerful, gilt bronze status symbols that are also neoclassical sculptures of the finest art, piercing the soft darkness with their golden fluidity, making your jaded heart sing – I never understood ormolu before I saw The Wallace Collection’s current exhibition Gilded Interiors: French Masterpieces of Gilt bronze.

Video Gilded Interiors © The Wallace Collection 2017

And, in The Wallace Collection’s tradition for 117 years, entry to temporary exhibitions as well as to the permanent galleries is and always will be free. Liberty, Egality, Fraternity still exist in an Anglo-French union in Manchester Square,  London W1.

It is a small exhibition, the pieces liberated by the curator from glass cases and cluttered rooms, out of the crude glare of museum electric lighting into simulated candlelight. The atmosphere is seductive. It is a tiny piece of gilded theatre. Continue reading