monkey lost

Part six of Nothing

Prince Rupert’s monkey was not supernatural, as the enemy claimed, but when it wasn’t being amusing, it must have been offensively annoying to its own side. There is no record (as far as I know) of what happened to the monkey, whether it survived the first civil war to go on Rupert’s further adventures as a soldier in Europe and pirate of the Caribbean, or if it died of natural causes in England.

Rupert didn’t become a pirate for fun – Royalist fortunes were at their lowest point in the early 1650s when England was doing very well as a republic for the only time in history – so far –  and his exiled cousin, Charles II, was desperately short of money.

Rupert lost something far more precious than the booty he gained on the expedition: Moritz, his closest brother and best friend, his second-in-command and comrade-in-arms was drowned. “I have seen all the works that are done under the sun; and behold, all is vanity and vexation of spirit.”

KMSst461

Gijsbrechts, Trompe l’Oeil with Trumpet, Celestial Globe and Proclamation by Frederik III of Denmark, 1670, oil on canvas. Collection and image: SMK – Statens Museum for Kunst, Copenhagen
The symbols of temporal political power and global commerce are piled up like forgotten booty, or modern window display of a luxury boutique for people who have everything, in front of Gijbrechts’ usual background of plain wood.

Rupert’s personality and exploits swept him away from historic battlefields into Stuart myth, biography, novels, and most dubiously of all, blogs, which, while romanticising him, have detracted from his tangible achievements.

There are two Ruperts, a figment of other people’s imagination, an object of desire or envy, and a real man who, when he settled in his adopted country of England after the Restoration, contributed in a very realistic, practical way to British artistic and scientific progress and overseas commercial exploration.

He is the sardonic action hero with brains and, when he was young, beauty, the darkly brooding antithesis to Rochester’s merry lord of misrule. Continue reading

Foreshades of Grey

or The Moral Dangers to Young Women of Reading

readingheloise

Depending on what you want from a book, you might say “I’ll have what she’s having” and sales of the book would exceed Fifty Shades of Grey and Harry Potter combined.
Bernard d’Agesci Lady Reading the Letters of Heloise and Abélard
c.1780 Oil on canvas, Art Institute, Chicago. Image source: WGA

In the age of Enlightenment and Sensibility, women were encouraged to read moral novels for self-improvement, and discouraged to read anything politically or sexually exciting, so of course they did, with an all-consuming passion.

There was a real fear that if women’s imaginations were stirred too much, or if they lost themselves completely in a book, erotic or not, their weak feminine minds would be depraved.

The very private nature of the pastime was suspect; unsupervised reading of a novel might lead to masturbation.

So, as is the way of the world, portraits of girls reading became a popular soft-porn genre for men, sometimes unconvincingly disguised as moral warnings.

Moralists and misogynists could berate as much as they liked, but it was in no-one’s interests to stop women reading novels, either for instruction or diversion.

For all sorts of reasons, many people of both sexes were afraid of independent thinking, erudite women, like the Bluestockings, so they laughed at them, the premise of the jokes being that having more sex or children would set them right.

There were exceptions, women whose learning and writing was of so high a quality or relevance that it transcended gender prejudice. No sensible man could deny that these female authors were rational creatures.

NPG 5856; Catharine Macaulay (nÈe Sawbridge) by Robert Edge Pine

Catharine Macaulay, by Robert Edge Pine, oil on canvas, circa 1775 © National Portrait Gallery, London
Historian, political writer and activist, republican supporter of American Independence, opponent of inequalities in wealth, and proponent of co-education, linked to the ‘Bluestocking’ group of intellectuals, she explained she had been “a thoughtless girl till she was twenty, at which time she contracted a taste for books and knowledge…” She lost the respect of her contemporaries not for any flaw in her intellectual system, but because when she was forty-seven she married a man twenty-six years younger than her.

At the same time as women declared their intellectual and moral equality there was a huge increase in light literature. In the new enlightened culture, men and women both believed in the importance of educating girls, if only for the amelioration of the male condition, and this could be best achieved through presenting complex or lofty ideas in an entertainingly accessible way. Continue reading