Will this country die from obstinacy? Why won’t the patients take their medicine?
No-one reading this who holds different opinions should feel offended. I intend no disrespect, but I must speak, and I’ve been given this insidious tool to amplify my thoughts. I’d be saying the same things aloud in solitary confinement.
“The most courageous act is still to think for yourself. Aloud.”
I’m not addressing individual members of the audience. This is a platform, a virtual theatre. I’m not attacking you, I don’t dislike you, I should have lived 200 years ago, and published pamphlets or books anonymously (by a Lady), and if you didn’t like them you could have burnt them after reading or used them in the privy.
“This is slavery, not to speak one’s thought.”
I know I’m not going to change minds or influence people. I rant on about the same thing in messages in bottles, repeating myself, adding a fresh quote or two after a quick online search, skimming the surface of thought.
And it is a tirade. I know that. Give me a break on this weaselly platform and admit this is not blogging, it’s polemic. I’m impotent but loud. You’re afraid to let me in, because I’d overturn your tables and scream your house down.
I’m not talking to you personally, I can’t even see you.
I’m not part of your community, I don’t want your Likes or your Follows, I’m not even me, I’m inhabiting a role of a better me. I’d prefer to have lived 20
I’m standing on the wall, berating destiny. Call me Cassandra, if you like. You may think I’m mad and ignore me – I can see you are, by the paltry number of Likes – but you need me as a particle of collective consciousness in the grand muddle of truth.
You’re fated to madness, it’s out of your hands
Destined to say what no one wants to know
‘Cassandra’, Famiglia album, written by Sophie Michelle Ellis-Bextor, Ed Harcourt, sung by Sophie Ellis Bextor
Her again – the unknown woman lamenting by a burning city
J’accuse: the right-wing Brexit conspiracy, in which too many of us are complicit, is an act of vandalism, trashing our country’s history and laying waste to its future
Wake up, Britons! Avert this catastrophe! Don’t you hear Drake’s drum beating again, alerting him to save us from national danger?
This time, the threat to our country, this precious stone set in the silver sea…this realm, this England, is not from a foreign Armada, it’s from ourselves.
The language of English-speaking myths had charm, once, before poetic inspiration for doing the right thing deviated into facile slogans for knee-jerk nationalism.
The beauty of metaphor, the subtlety of irony, has been defaced. “My soul, there is a country” seen in a vision of Peace by Henry Vaughan, the “green and pleasant land” of Blake’s Jerusalem, were spiritual and political ideals, not nostalgia for an England that never was. Patriotism, at its best, has always been a personal myth; at its worst, it covers up crimes with a national flag.
Joan of Arc on horseback, miniature from a manuscript, Les vies des femmes célèbres d’Antoine Dufour, 1504, Nantes, musée Dobrée. Image source: Wikipedia
A great British, working-class, transvestite heroine, Joan of Arc, is a golden girl, forever fighting to liberate people from foreign oppressors and gender prejudice. It’s a minor detail to us that she was French, born Jeanne in Domrémy, later called la Pucelle, the maid of Orléans, inspiration, mascot, scapegoat of French resistance to English imperialism in The Hundred Years War, burnt alive by the English in 1431, when she was nineteen years old, because she’s still ours, we made her, she wouldn’t be special if we hadn’t cooked her.
The living Jeanne d’Arc was a victim of an English war crime, and the dead Jeanne of England’s greatest victory, of imagination, of story-telling, of creating national fictions in the face of historical evidence, of kidding ourselves that sentimentality and sensation – canonized as “empathy” – pre-empt responsibility.
Joan is one of the national symbols of our dishonest relationship with Europe, and with Wales, Scotland and Ireland, of our habitual raiding and resentment of our neighbours, abusing and assimilating as we choose. If and when Brexit goes ahead, we’re going to lose the choice.
We’ve lost the blessed plot. We’re no longer the envy of less happy lands; we’re the butt of the rest of the world’s bemusement and pity as England scores the biggest own goal in history.
Brexit is the biggest lie perpetrated by small political and capitalist elites on the English public since the First World War.
And this same progeny of evils comes
From our debate, from our dissension
Brexit is the poison that will taint a nation, a fungus that grew in the ideological rifts of the Conservative party and then infected purer minds.
Drink the medicine.
Changing your minds is not a weakness. The greatest courage is in turning to face reality.